July 7, 2020

John Brawley, DP of the Hulu series The Great, talks creating his visual manifesto for the satiric show and more

The Cinematography Podcast Episode 82: John Brawley

John Brawley began his career shooting television series in his native Australia, coming to the U.S. to shoot the USA series, Queen of the South. John approaches each project with a “visual manifesto,” or a set of rules for yourself and the crew to follow with the camera, lenses, lighting, and color story defining what you’re doing. John’s recent project, The Great, stars Elle Fanning as Catherine The Great and Nicholas Hoult as Peter, the (not great) king of Russia. John worked closely with series creator Tony McNamara, a fellow Aussie who also received an Oscar nod for writing The Favourite. While shooting, John, Tony and the production designer determined that all the light sources be consistently candlelight, daylight, or firelight. Since it was Catherine’s story, she was always in the center of the frame and her close-ups were always just a little closer. The UK is the home of period drama, but Tony McNamara wanted The Great to be “punk history” or satire, taking liberties with the Catherine The Great story, both in costuming and language. He and John also resisted the urge to do period cliché visuals- for example, they did not use any “sweeping” crane shots and avoided using excess smoke for atmosphere. The Great was just renewed for a second season.

Find John Brawley: http://johnbrawley.com/
See some tech tests from John’s projects: https://johnbrawley.wordpress.com/
Instagram: @johnbrawley

See The Great on Hulu: https://www.hulu.com/welcome

Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep82/

Sponsored by Hot Rod Cameras www.hotrodcameras.com

Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

May 27, 2020

Suzie Lavelle, DP on the Hulu series Normal People, working with Lenny Abrahamson, BBC series Dr. Who, Sherlock, Vikings, A Discovery of Witches, His Dark Materials

The Cinematography Podcast Episode 76: Suzie Lavelle

Irish cinematographer Suzie Lavelle loves to be very hands on and involved in visual storytelling. From a young age, Suzie had an interest in photography, went to art school and was accepted into the renowned National Film and Television School in London. She began working on short films and features, one of which, The Other Side of Sleep, was shown at the Cannes Film Festival. Shortly after, Suzie landed her first television job shooting an episode of Dr. Who Season 7, an amazing opportunity that led to a long career on large scale shows such as Vikings, His Dark Materials, A Discovery of Witches, and Sherlock. Sherlock: The Abominable Bride is a single 90-minute long episode which takes place during the Victorian era and Suzie was Emmy nominated for Best Cinematography. Suzie was excited to work with director and fellow countryman Lenny Abrahamson on the new Hulu series Normal People. Normal People is about the often rocky, romantic relationship between Marianne (Daisy Edgar-Jones) and Connell (Paul Mescal) who grew up in the same small town in Ireland. Abrahamson and Suzie worked together to create very beautiful, close up and intimate scenes between the actors, which required a small footprint, few lights and the use of a single handheld camera.

Normal People is currently streaming on Hulu.

Find Suzie Lavelle: http://www.suzielavelle.com/
Instagram: @suziecine

Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep76/
Sponsored by Hot Rod Cameras www.hotrodcameras.com
Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

May 21, 2020

Trevor Forrest talks Little Fires Everywhere, remembering producer/director Lynn Shelton, the TV series I Am the Night, critically acclaimed films Una Noche and Noble

The Cinematography Podcast Episode 75: Trevor Forrest

A note: We were sorry to hear of director Lynn Shelton’s passing. Her most recent directing and executive producing project was the Hulu series, Little Fires Everywhere. Her death is also a huge loss to the independent film community. Trevor Forrest leads off the episode with a tribute to Lynn.

Trevor Forrest grew up in England and the Bahamas, and went to art school to study painting. He began making photo compositions and moving into fashion photography, traveling the world and letting it lead him into storytelling through cinematography. One of Trevor’s early films, Una Noche takes place in Cuba, and he captured the rhythm and feel of the island through mostly hand-held camera work. Una Noche won Best Cinematography at the Tribeca Film Festival. Noble, an award-winning biopic about children’s rights advocate Christina Noble, allowed Trevor to use vintage lenses to capture the look of the time period. Trevor’s art school training came into play when he shot the dramatic series, I Am The Night, about the possible killer of the Black Dahlia. He used a darker lighting technique, using lights only to highlight the actors and scenes, allowing the viewer to peer into the darkness and pick out the details. In Little Fires Everywhere, the show explores the complicated world of race, class and motherhood through the dueling protagonists Elena (Reese Witherspoon) and Mia (Kerry Washington). Despite it being shot in Los Angeles, Trevor wanted the series to evoke the look and feel of Ohio, including the difference in the quality of light and the changing of the seasons as the show progresses through the year. Capturing that feeling on film required warmer and cooler lighting techniques and careful lens choices and calibration. The fiery finale was a combination of practical and special effects done with sets, models and computer graphics.

Little Fires Everywhere is currently streaming on Hulu. https://www.youtube.com/watch?v=JWGkX8ClhBI

Find Trevor Forrest: www.trevorforrest.com
Instagram: @tforrestdop 

Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep75/

Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

March 23, 2020

BONUS Episode: Big Time Adolescence director Jason Orley and DP Andrew Huebscher

It’s a very special Shelter In Place episode as we stay home and dig into our archives to bring you some past podcasts you might have missed. Enjoy our show and these films from the comfort of your safe space.

Illya sat down with director Jason Orley and DP Andrew Huebscher during 2019’s Sundance Film Festival to talk about their movie about arrested development, “Big Time Adolescence.” Starring SNL’s Pete Davidson, Griffin Gluck, and John Cryer, the story follows a teen whose idolization and friendship with a twenty-something stoner college dropout has destructive effects on his life. Orley and Huebscher discuss the close director/DP working relationship on the movie, creating the look of the film, working with production company American High, and using the Chemical Wedding Artemis Pro App and Hollywood Camerawork shot designer App to plan out where to place the camera and lights.

You can stream Big Time Adolescence right now on Hulu. https://www.youtube.com/watch?v=t3PcDo4YcnY

Find out even more about this episode, with extensive show notes and links: http://camnoir.com/bonusbigtime/

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Website: www.camnoir.com
Facebook: @cinepod
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