July 7, 2020

John Brawley, DP of the Hulu series The Great, talks creating his visual manifesto for the satiric show and more

The Cinematography Podcast Episode 82: John Brawley

John Brawley began his career shooting television series in his native Australia, coming to the U.S. to shoot the USA series, Queen of the South. John approaches each project with a “visual manifesto,” or a set of rules for yourself and the crew to follow with the camera, lenses, lighting, and color story defining what you’re doing. John’s recent project, The Great, stars Elle Fanning as Catherine The Great and Nicholas Hoult as Peter, the (not great) king of Russia. John worked closely with series creator Tony McNamara, a fellow Aussie who also received an Oscar nod for writing The Favourite. While shooting, John, Tony and the production designer determined that all the light sources be consistently candlelight, daylight, or firelight. Since it was Catherine’s story, she was always in the center of the frame and her close-ups were always just a little closer. The UK is the home of period drama, but Tony McNamara wanted The Great to be “punk history” or satire, taking liberties with the Catherine The Great story, both in costuming and language. He and John also resisted the urge to do period cliché visuals- for example, they did not use any “sweeping” crane shots and avoided using excess smoke for atmosphere. The Great was just renewed for a second season.

Find John Brawley: http://johnbrawley.com/
See some tech tests from John’s projects: https://johnbrawley.wordpress.com/
Instagram: @johnbrawley

See The Great on Hulu: https://www.hulu.com/welcome

Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep82/

Sponsored by Hot Rod Cameras www.hotrodcameras.com

Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

May 13, 2020

Toby Oliver, ACS talks Dead To Me Season 2, working with Jordan Peele on Get Out, horror films The Darkness and Happy Death Day, Mötley Crüe movie The Dirt, and the upcoming Barb and Star Go To Vista Del Mar

The Cinematography Podcast Episode 74: Toby Oliver

Toby Oliver was an experienced cinematographer in his native Australia for a few decades before moving to the U.S. and establishing himself as a DP. He worked with fellow Aussie director Greg McLean on Wolf Creek 2 and other horror genre movies for Blumhouse Productions such as The Darkness. When shooting any genre or time period, Toby believes color palette is important and enjoys working with production designers to fine-tune the look. This was especially true for the Mötley Crüe biopic The Dirt, which takes place across the 1980’s. Consistency and continuity of visuals have also played a big part in Toby’s films, such as Happy Death Day and the sequel, Happy Death Day 2 U. Both films rely on the “Groundhog Day Trope”- as in, the main character must repeat the same day over and over again, so keeping continuity in sets, camera setups and lighting was important. Toby met director Jordan Peele through his connections at Blumhouse. Jordan Peele, as a first time director, needed an experienced DP and hired him for Get Out. They collaborated closely and created the look of “The Sunken Place” in the movie. For Season Two of Netflix’s Dead to Me, Toby tried to keep the look of the show consistent with the first season, just tweaking lighting and camera angles to be more flattering to the actors. It took a little bit of adjustment getting used to shooting series television, but Toby also got to rely on his horror background for some of the creepier scenes.

Dead to Me Season Two is currently streaming on Netflix https://www.youtube.com/watch?v=HmU7ylnmn_M

Find Toby Oliver: https://tobyoliver.com/
Instagram @tobyoliverdp
Twitter @tobyoliver67

Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep74/

Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

October 15, 2019

Benoît Delhomme, DP of The Theory of Everything, At Eternity’s Gate, The Proposition, The Scent of Green Papaya, Lawless, Free State of Jones

Benoît Delhomme discusses his work on the Oscar-nominated The Scent of Green Papaya, The Theory of Everything, the 2014 biopic about Stephen Hawking, At Eternity’s Gate, about artist Vincent Van Gogh, and his experience shooting The Proposition in the Australian outback.