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May 21, 2020

Trevor Forrest talks Little Fires Everywhere, remembering producer/director Lynn Shelton, the TV series I Am the Night, critically acclaimed films Una Noche and Noble

The Cinematography Podcast Episode 75: Trevor Forrest

A note: We were sorry to hear of director Lynn Shelton’s passing. Her most recent directing and executive producing project was the Hulu series, Little Fires Everywhere. Her death is also a huge loss to the independent film community. Trevor Forrest leads off the episode with a tribute to Lynn.

Trevor Forrest grew up in England and the Bahamas, and went to art school to study painting. He began making photo compositions and moving into fashion photography, traveling the world and letting it lead him into storytelling through cinematography. One of Trevor’s early films, Una Noche takes place in Cuba, and he captured the rhythm and feel of the island through mostly hand-held camera work. Una Noche won Best Cinematography at the Tribeca Film Festival. Noble, an award-winning biopic about children’s rights advocate Christina Noble, allowed Trevor to use vintage lenses to capture the look of the time period. Trevor’s art school training came into play when he shot the dramatic series, I Am The Night, about the possible killer of the Black Dahlia. He used a darker lighting technique, using lights only to highlight the actors and scenes, allowing the viewer to peer into the darkness and pick out the details. In Little Fires Everywhere, the show explores the complicated world of race, class and motherhood through the dueling protagonists Elena (Reese Witherspoon) and Mia (Kerry Washington). Despite it being shot in Los Angeles, Trevor wanted the series to evoke the look and feel of Ohio, including the difference in the quality of light and the changing of the seasons as the show progresses through the year. Capturing that feeling on film required warmer and cooler lighting techniques and careful lens choices and calibration. The fiery finale was a combination of practical and special effects done with sets, models and computer graphics.

Little Fires Everywhere is currently streaming on Hulu. https://www.youtube.com/watch?v=JWGkX8ClhBI

Find Trevor Forrest: www.trevorforrest.com
Instagram: @tforrestdop 

Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep75/

Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

May 18, 2020

BONUS Episode: Oscar-nominated cinematographer Xiaoding Zhao on the movie Shadow and working with director Zhang Yimou on eleven films, including House of Flying Daggers

The Cinematography Podcast Bonus Episode: Xiaoding Zhao

Illya sat down with cinematographer Xiaoding Zhao and Shadow producer and translator Ellen Eliasoph at Cameraimage 2019 to discuss the film Shadow. Director Zhang Yimou and Zhao worked together to create a very distinctive color palette, wanting it to appear to be like a Chinese ink brush painting. The costumes are also all in gray or black for the same ink washed look. It also enabled the color of red blood to show bold and bright against the duller background. For Shadow, Zhang Yimou chose to make most of the action design in constant rain, which proved a huge challenge for Zhao. Getting the proper lighting was difficult, because he wanted to use a softer light on the actor’s faces, but illuminating the hard contrast on a wet and dark exterior was also important. Zhao actually started off life as a professional speed skater, but got injured and couldn’t continue, so he began taking photos and videos of his speed skating team. He found he really enjoyed the work and was admitted to the prestigious Beijing Film Academy. Zhao and Zhang Yimou have made 11 movies together, including the acclaimed House of Flying Daggers, for which Zhao received an Oscar Nomination in 2004.

You can stream Shadow right now on Netflix. https://www.youtube.com/watch?v=AGetemRDuVY

Find Xiaoding Zhao: https://www.imdb.com/name/nm1618536/?ref_=ttfc_fc_cr31

Special thanks to Shadow producer and translator Ellen Eliasoph

Zhao was featured in the May issue of American Cinematographer: https://ascmag.com/articles/asc-close-up-zhao-xiaoding

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

Find out even more about this episode, with extensive show notes and links: http://camnoir.com/bonusshadow/

Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

May 13, 2020

Toby Oliver, ACS talks Dead To Me Season 2, working with Jordan Peele on Get Out, horror films The Darkness and Happy Death Day, Mötley Crüe movie The Dirt, and the upcoming Barb and Star Go To Vista Del Mar

The Cinematography Podcast Episode 74: Toby Oliver

Toby Oliver was an experienced cinematographer in his native Australia for a few decades before moving to the U.S. and establishing himself as a DP. He worked with fellow Aussie director Greg McLean on Wolf Creek 2 and other horror genre movies for Blumhouse Productions such as The Darkness. When shooting any genre or time period, Toby believes color palette is important and enjoys working with production designers to fine-tune the look. This was especially true for the Mötley Crüe biopic The Dirt, which takes place across the 1980’s. Consistency and continuity of visuals have also played a big part in Toby’s films, such as Happy Death Day and the sequel, Happy Death Day 2 U. Both films rely on the “Groundhog Day Trope”- as in, the main character must repeat the same day over and over again, so keeping continuity in sets, camera setups and lighting was important. Toby met director Jordan Peele through his connections at Blumhouse. Jordan Peele, as a first time director, needed an experienced DP and hired him for Get Out. They collaborated closely and created the look of “The Sunken Place” in the movie. For Season Two of Netflix’s Dead to Me, Toby tried to keep the look of the show consistent with the first season, just tweaking lighting and camera angles to be more flattering to the actors. It took a little bit of adjustment getting used to shooting series television, but Toby also got to rely on his horror background for some of the creepier scenes.

Dead to Me Season Two is currently streaming on Netflix https://www.youtube.com/watch?v=HmU7ylnmn_M

Find Toby Oliver: https://tobyoliver.com/
Instagram @tobyoliverdp
Twitter @tobyoliver67

Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep74/

Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

May 10, 2020

War Stories Vol. 2: Tales from the Set featuring Walt Lloyd, Shana Hagan, Byron Werner, Claudia Raschke, Sal Totino and Ruben Fleischer

Special: The Cinematography Podcast War Stories Vol. 2

It’s our second War Stories Special! Each of our featured guests shares an insightful, interesting, humorous or crazy story of an experience they had while on set.

Walt Lloyd, ASC still remembers a crazy nightmare he had during a shoot, Shana Hagan on getting locked inside a prison while shooting the documentary Shakespeare Behind Bars, Byron Werner recounts shooting in Colombia at a very dangerous time, Claudia Raschke describes her experience of being perilously close to a calving glacier for A Sea Change, Sal Totino, ASC shares a tense story from the set of Any Given Sunday, and director Ruben Fleischer on a nearly disastrous experience directing a rap video for Who Ate All the Pies?

Do you have a War Story you’d like to share? Send us an email or reach out to us on Facebook, Twitter, or Instagram!

Find out even more about this episode, with extensive show notes and links: http://camnoir.com/warstories2/

COMING SOON! War Stories Vol. 3.

Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

May 4, 2020

BONUS Episode: Natalie Wood: What Remains Behind director/producers Natasha Gregson Wagner and Laurent Bouzereau

Illya sat down with producer Natasha Gregson Wagner and director/producer Laurent Bouzereau at the 2020 Sundance Film Festival to talk about their documentary, Natalie Wood: What Remains Behind. As the daughter of famous actress Natalie Wood, Natasha Gregson Wagner wanted to tell the story of her mother’s life, while working through her grief and loss over her mother’s tragic death at the age of 43 in 1981. Natasha and Laurent discuss their approach to the film, which is full of personal photos, home movies, and interviews with friends and family. It was important for the filmmakers to celebrate Natalie Wood’s life and work, and the documentary is an intimate look at her through the people who knew her best.

You can see Natalie Wood: What Remains Behind right now on HBO. https://www.youtube.com/watch?v=2JRzLBVxWik

Natasha Gregson Wagner: https://www.imdb.com/name/nm0906031/
Find Laurent Bouzereau: https://www.nedlandmedia.com/
@laurent_bouzereau

Find out even more about this episode, with extensive show notes and links: http://camnoir.com/bonusnataliewood/

Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

April 29, 2020

Carlos González, SVC on working for Roger Corman, Raw Justice, Mutant Species, shooting films vs. TV series, Grey’s Anatomy, Party of Five and becoming a director

The Cinematography Podcast Episode 73: Carlos González

Venezuelan-born cinematographer Carlos González graduated with a degree in architecture before attending film school at AFI in Los Angeles. While attending architecture school, he designed some film sets, and still enjoys collaborating closely with production designers. Carlos says that the experience of discovery when walking into a room as a cinematographer is very similar to the way an architect thinks, but focused on lighting placement and camera movements rather than walls and doors. Carlos started out making low-budget films for Roger Corman with director David Prior such as Raw Justice and Mutant Species. Working on low-budget films enabled him to become “the fast guy” and to develop a quick, basic lighting scheme for each film, a skill he was able to take with him into television series work. He’s shot many episodes of Grey’s Anatomy and the remake of Party of Five on Freeform. In the past few years, Carlos has moved into directing, and he is currently in postproduction on a family-friendly movie, The Kid Who Only Hit Homers.

You can see the new Party of Five on Freeform. https://freeform.go.com/shows/party-of-five

Find Carlos González: https://www.gonzalez-svc.com/

Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep73/

Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

April 26, 2020

War Stories Vol. 1: Tales from the Set featuring Russell Carpenter, Jakob Ihre, Ellen Kuras, David Mullen and Kira Kelly

Special: The Cinematography Podcast War Stories Vol. 1

It’s our first War Stories Special! Each of our featured guests shares an insightful, interesting, humorous or crazy story of an experience they had while on set.

Russell Carpenter talks about shooting the iconic “I’m flying” scene from Titanic, Jakob Ihre tells the sobering story about working in Lithuania while shooting HBO’s “Chernobyl,” Ellen Kuras shares a funny story from the set of The Mod Squad, David Mullen on avoiding a landslide while scouting for Big Sur, and Kira Kelly tells about how she endured a particularly difficult work experience.

Do you have a War Story you’d like to share? Send us an email or reach out to us on Facebook, Twitter, or Instagram!

Find out even more about this episode, with extensive show notes and links: http://camnoir.com/warstories1/

COMING SOON! War Stories Vol. 2.

Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

April 22, 2020

Jeff Cronenweth, ASC on David Fincher, Fight Club, growing up in Hollywood, music videos, Mark Romanek, One Hour Photo, Gone Girl, The Social Network and the new Amazon series Tales from the Loop

Jeff Cronenweth comes from three generations in the film business and followed his father, cinematographer Jordan Cronenweth (Blade Runner) into a career as a director of photography. Growing up on film sets and working alongside his father enabled Jeff to take a hands-on role in the camera department. He started as a loader and camera assistant, getting into the union while attending USC. He met David Fincher while working on the Madonna music video “Oh Father” as a camera assistant. Fincher gave Jeff his first opportunity to DP for the film Fight Club. Jeff’s collaboration with Fincher later earned him two Oscar nominations- one for The Social Network and one for The Girl with the Dragon Tattoo. He also began working with director Mark Romanek on music videos, such as Eels “Novocaine for the Soul” and Nine Inch Nails’ “The Perfect Drug.” Jeff and Romanek also worked together on the feature film, One Hour Photo starring Robin Williams. The film presented many lighting challenges since the bulk of it takes place inside a store with flat white lights before the darker undertones of the movie are revealed.

Jeff also shot the pilot for Tales from the Loop with director Mark Romanek, streaming now on Amazon Prime. https://www.youtube.com/watch?v=1htuNZp82Ck

Find Jeff Cronenweth https://www.ddatalent.com/client/jeff-cronenweth-asc-commercial

Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep72/

LIKE AND FOLLOW US, send fan mail or suggestions!
Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

April 20, 2020

BONUS Episode: The Sound of Silence director Michael Tyburski

The Cinematography Podcast BONUS Episode: The Sound of Silence director Michael Tyburski

It’s a very special Shelter In Place episode as we dig into our archives to bring you some past podcasts you might have missed.

Illya sat down with director Michael Tyburski during 2019’s Sundance Film Festival to talk about his film, The Sound of Silence (in a rather noisy setting!) The movie is about a “house tuner” in New York City- a fictional job he made up for the film. Peter Saarsgard plays the house tuner, who listens for discordant tones in the home and adjusts them to create emotional resonance and harmony. Michael Tyburski talks about directing his first feature film shot by cinematographer Eric Lin. He discusses the color palette, directing Peter Saarsgard and Rashida Jones, and of course the importance of sound, music and sound design in the movie.

You can stream The Sound of Silence right now on Hulu. https://www.youtube.com/watch?v=ejZ75QFesgE

Find Michael Tyburski: http://www.michaeltyburski.com/
Twitter: @michaeltyburski

Find out even more about this episode, with extensive show notes and links: http://camnoir.com/bonussoundofsilence/

LIKE AND FOLLOW US, send fan mail or suggestions!
Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

April 15, 2020

Producer Brendan Davis tells his story about fleeing China before it was shut down during the pandemic

The Cinematography Podcast Episode 71: Brendan Davis

Producer Brendan Davis tells his story about fleeing China before it was shut down for coronavirus

Brendan Davis has been producing film and television for the Chinese and U.S. market in Beijing for the past few years. He was in the midst of developing the feature film My Favorite Season and was planning a trip back to the U.S. when he got word from a doctor friend that the city would be shutting down and a stay at home order was imminent. Fearing an extended lockdown, Brendan got on one of the last flights headed to San Francisco, keeping his mask on nearly the entire time, and is temporarily living in Los Angeles, which is under a mandatory stay at home order. He talks about the differences he’s noticed between the Chinese and American governments and how people have been reacting to the crisis.

Brendan Davis also hosts a few podcasts: If I Knew You Better (with an episode featuring Ben Rock) https://podcasts.apple.com/us/podcast/if-i-knew-you-better/id1457785319

Big Fish in the Middle Kingdom https://bigfishmiddlekingdom.libsyn.com/

How China Works https://www.howchinaworkspodcast.com/

Find Brendan: https://www.crazyinagoodway.com/
“My Favorite Season”: https://www.myfavoriteseasonmovie.com
IMDb: https://www.imdb.com/name/nm0204272/
LinkedIn: https://www.linkedin.com/in/brendandavis/

Brought to you by Hot Rod Cameras: Find your next camera, lens, light or accessory at https://hotrodcameras.com/

Aputure: https://aputure.com/ The Aputure MC- Any color, any time. You can buy Aputure products at Hot Rod Cameras.

Here are the winners for the MC light contest sponsored by Hot Rod Cameras! DP Casey McBeath and his pal Drew Kowalski will each receive an Aputure MC Light.

Close Focus: With some weekly and nightly TV shows being shot via webcam or conferencing apps, will this become something more common post-coronavirus? The technology has definitely started to catch up. https://www.hollywoodreporter.com/live-feed/super-janky-but-it-works-how-late-night-producers-have-adapted-remote-filming-1288279

Ben’s short end: A YouTube channel called Cinema Tyler, by Tyler Knudsen, who does video essays into various topics. https://www.youtube.com/channel/UC7GV-3hrA9kDKrren0QMKMg

Illya’s short end: John Krasinski’s YouTube show Some Good News is feel-good content for these times. https://www.youtube.com/watch?v=F5pgG1M_h_U

Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep71/

LIKE AND FOLLOW US, send fan mail or suggestions!
Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

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