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Pål Ulvik Rokseth: forging the fiery world of The Lost Bus

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Pål Ulvik Rokseth: forging the fiery world of The Lost Bus

DP Pål Ulvik Rokseth transformed one of the deadliest wildfires in California history into a visceral, cinematic character in the gripping drama The Lost Bus.

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Ula Pontikos, BSC captures unease in The Man in My Basement

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Ula Pontikos, BSC captures unease in The Man in My Basement

DP Ula Pontikos, BSC built tension in The Man in My Basement with color and lighting. Shooting through bars was technically difficult, requiring careful blocking and rehearsal.

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Cinematographer Kira Kelly, ASC on the unique visuals of HIM

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Cinematographer Kira Kelly, ASC on the unique visuals of HIM

DP Kira Kelly, ASC used color, camera movement and lighting in the sports horror movie HIM, as well as a thermal imaging camera to show brain trauma on players.

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Pål Ulvik Rokseth: forging the fiery world of The Lost Bus

Ula Pontikos, BSC captures unease in The Man in My Basement

Cinematographer Kira Kelly, ASC on the unique visuals of HIM

Bryn Mooser and Paul Trillo of Asteria on AI in filmmaking

Matty Libatique: the NY of Highest 2 Lowest, Caught Stealing

John Conroy on grounding the political thriller Zero Day

Alien: Earth director/DP Dana Gonzales reimagines a classic

Larkin Seiple on shaping the horror of Weapons

Matthew Chuang: bringing an authentic look to Chief of War

Art of the one shot: Adolescence cinematographer Matt Lewis

Cinematographer Matt Ball’s recipe for Tucci in Italy

Art of Deception: DP Christopher Ross, The Day of the Jackal

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