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James Whitaker: Good Luck Have Fun Don’t Die’s visual chaos

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James Whitaker: Good Luck Have Fun Don’t Die’s visual chaos

Good Luck Have Fun Don't Die DP James Whitaker, ASC played with many genres, used dozens of setups in Norm's Diner, and created visual chaos for the ending.

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Danny Cohen, BSC: Slow Horses ‘dirty London’ cinematography

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Danny Cohen, BSC: Slow Horses ‘dirty London’ cinematography

DP Danny Cohen, BSC, reveals how he crafted the "dirty London" look of Slow Horses through motivated lighting, high ASA grain, and the grit of Slough House.

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Into the Dark Ages: the gothic vision of The Dreadful

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Into the Dark Ages: the gothic vision of The Dreadful

Director Natasha Kermani and DP Julia Swain shot The Dreadful in Cornwall over 17 winter days. A hut was built on location, allowing seamless camera movement.

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James Whitaker: Good Luck Have Fun Don’t Die’s visual chaos

Danny Cohen, BSC: Slow Horses ‘dirty London’ cinematography

Into the Dark Ages: the gothic vision of The Dreadful

Special Episode: Frederick Wiseman, acclaimed filmmaker

Adolpho Veloso: capturing memory, naturalism in Train Dreams

Sean Bobbitt on 28 Years Later: The Bone Temple’s madness

Russell Carpenter, ASC: Lighting the world of Fire and Ash

DP Michael Bauman on One Battle After Another’s improv style

Amy Vincent, ASC on the visual heart of Song Sung Blue

Caleb Heymann: the cinematic playground of Stranger Things

Steve Yedlin’s gothic look for Knives Out: Wake Up Dead Man

BONUS EPISODE: Sinners DP Autumn Durald Arkapaw, ASC

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