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Evoking dread in Something Very Bad is Going to Happen

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Evoking dread in Something Very Bad is Going to Happen

DP Krzysztof Trojnar's visual language as Something Very Bad is Going to Happen progresses from composed shots, Steadicam, gimbal and handheld to a body rig.

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Lawrence Sher ASC: filming Apex in the Australian wilderness

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Lawrence Sher ASC: filming Apex in the Australian wilderness

The creative and physical challenges of shooting in the Australian outback for Apex led DP Lawrence Sher to use documentary style lightweight rigs and drones.

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Tari Segal, ASC: visual magic in Margo’s Got Money Troubles

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Tari Segal, ASC: visual magic in Margo’s Got Money Troubles

Margo's Got Money Troubles DP Tari Segal, ASC approached the show with spontaneity, intimacy, and a creative way to bring static backdrops to life.

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Evoking dread in Something Very Bad is Going to Happen

Lawrence Sher ASC: filming Apex in the Australian wilderness

Tari Segal, ASC: visual magic in Margo’s Got Money Troubles

DP Greta Zozula on the look of The Testaments

The scrappy, indie production of Hunting Matthew Nichols

Two horror films, one DP: They Will Kill You, Faces of Death

Ted Hope, Hope For Film: the rebirth of independent cinema

Two DPs, one vision: creating the look of Pluribus

Lawrence Sher, ASC reimagines Frankenstein for The Bride!

2026 Academy Awards nominations with Jenelle Riley

James Whitaker: Good Luck Have Fun Don’t Die’s visual chaos

Danny Cohen, BSC: Slow Horses ‘dirty London’ cinematography

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